Carlo de Paris Barcelona 1800-Rome 1861 View of Mexico Valley 1836 ca. Oil on canvas, 148,5 x 221,5 cm Provenance: Rome, private collection After long oblivion, due to the loss of many of the works recorded by the sources of the time, there has been a gradual rediscovery of the figure of Carlo de…
Léopold Louis Robert (Les Éplatures 1794 – Venice 1835) Woman from Sora Crying Her Dead Daughter Oil on canvas, 45,8 x 37,8 cm
Carlo Bonavia (Napoli, attestato tra il 1751 e il 1758) View of Baiae with the Temple of Diana Oil on canvas, 80 Ă— 159 cm Signed lower center: «Carlo Bonavia p.» A condensation of the interests stirred in travellers on the Grand Tour by the territory of the Kingdom of Naples—nature, archaeology, folklore—this enchanting…
Giovanni David (Cabella 1743 – Genoa 1790) Presentation of the Virgin at the Temple 1784-1785 Black ink pen, polychrome watercolors, tempera on paper, 522 x 485 mm Provenance: Rome, private collection It is the presentation drawing for The Presentation of the Virgin at the Temple painted by David in 1785 for the church of…
Carlo Bonavia (Naples, known between 1751 and 1788) View of Baiae with the Aragonese Castle and the Temple of Venus Oil on canvas, 80 Ă— 159 cm Signed lower right: “Carlo Bonavia p.” A condensation of the interests stirred in travellers on the Grand Tour by the territory of the Kingdom of Naples—nature, archaeology,…
Giovanni De Min Belluno 1786–Tarzo 1859 Study for the Fresco Cycle Devoted to Napoleon in the Palace of the Countess Samoyloff in Milan: the Celebration of Napoleon portrayed by Canova among the Great Men in the Arts, Sciences and Politics from Antiquity to Present (Raphael, Dante, Galileo, Colombus, Galen, Fidia, Alexander the Great, Socrates, Canova,…
Andrea Appiani (Milan 1754 – 1817) Study for the Portrait of JosĂ©phine de Beauharnais 1790 ca. Pencil on paper, 210 x 315 mm Inscribed backside: “Originale del Cav. Andrea Appiani / Michele Bisi” Verso: Portrait of a Standing Woman
Vincenzo Gemito (Naples 1852-1929) Selfportrait Pen, pencil on paper, 262 x 182 mm Signed and dated lower left: 1920 V Gemito
Atelier of Luigi Valadier (Rome 1726-1785) Head of a Boar on a Servizio Borghese Oval Plate 1783 ca. Pen and gray and black ink, gray brownish watercolor, on pencil; brown sand and pink watercolor for the head of the boar, 414 x 557 mm
Lorenzo Bartolini Savignano di Prato 1777-Florence 1850) George Gordon VI Duke of Byron 1822 Dried raw clay (terracruda), h 50 cm Provenance: Milan, private collection From the sources we know that on January 3, 1822 Byron, then in Pisa, posed for Bartolini who had expressed a wish to do his portrait. The poet…
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