Francesco Podesti – Portrait in Garibaldi’s uniform
Francesco Podesti Ancona 1800 – Rome 1895 Portrait in Garibaldi’s uniform • 1849 ca. Oil on canvas, 46 x 36 cm Signed lower twords right: Fran. Pod.
Francesco Podesti Ancona 1800 – Rome 1895 Portrait in Garibaldi’s uniform • 1849 ca. Oil on canvas, 46 x 36 cm Signed lower twords right: Fran. Pod.
Giuseppe Cades Rome 1750 –1799 Pope Gregory the Great delivers the Benedictine Rule to Saints Constantine and Simplicius • Oil on canvas, 64 × 78 cm
Arturo Martini Treviso 1889 – Milan 1947 Bust of a Woman • 1925-26 Walnut wood, 30 x 18.5 x 16.5 cm Exhibitions: Triennale Europea d’Arte Sacra (Ventennale), Castello trecentesco, Celano, 1986; Arturo Martini. Da “Valori plastici” agli anni estremi, exhibition catalogue (Matera June-September 1989, Chiese rupestri Madonna delle VirtĂą e San Nicola dei Greci, edited…
Giorgio de Chirico Volos 1888 – Rome 1978 Still life with Grape and Peaches • 1934 Oil on canvas, 27 Ă— 41 cm Signed lower right: “G. de Chirico”; on the backside of the canvas signature in pen: “Giorgio de Chirico” On the backside of the frame, upper from left to right: Galleria “Vittorio E…
Mario de Maria known as Marius Pictor Bologna 1852-1924 Study for the frontispiece Three ancient dances for piano by Gian Francesco Malipiero • 1910 Black and brown ink pen, grey and brownish watercolor, white lead, blue tempera on Havana paper, 410 x 300 mm Signed and dated lower left: “MPictor 1910”
Francesco Podesti Ancona 1800 – Rome 1895 Stamura set fire to the imperial siege engines in Ancona in 1174 • 1877 Drawing, black pencil, warercolor and white chalk on hazelnut paper on canvas, within its original frame, 630 x 750 mm Inscribed lower right: “Stamura” Bibliography: Marco Fabio Apolloni, Anna Rita Podesti, scheda, in Francesco…
Isabella Ducrot Naples 1931 Blue Vase with Red Flowers • 2022 Pigments and collage on Japan paper, 100 x 78 cm Signed and dated lower right “Isabella Ducrot 2022”
Richard Hicks Bridgens Birmingham 1785 – Port of Spain, Trinidad 1846 An execution in Rome for murder, Mastro Titta awaits the condemned on the gallows • 1820 Penna e acquerelli su carta, mm 215 x 200 Disegno preparatorio per l’incisione all’acquatinta pubblicata a Londra nel 1820
Isabella Ducrot Naples 1931 Pink Vase • 2022 Pastel, pigments, and collage on Japan paper, 97 x 65 cm Signed and dated lower right “Isabella Ducrot 2022”
Isabella Ducrot Naples 1931 Pair of Vases • 2023 Pigments and collage on Japan paper, 98,5 x 71,5 cm Signed and dated lower right “Isabella Ducrot 2023”
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