Fabrizio Galliari (Andorno Micca (BIella) 1709 – Treviglio 1790) Soldiers’ quarter • 1762 matita, penna e acquerello su carta, studio di quadro scenico per Arianna e Teseo, dramma per musica su libretto di Francesco Pariati, musica di Giuseppe Ponzo, rappresentato al Regio Ducal Teatro di Milano nel 1762-1763 c22 -B_0133 t.IX
Fabrizio Galliari (Andorno Micca (BIella) 1709 – Treviglio 1790) Soldiers’ quarter • 1762 matita, penna e acquerello su carta, studio di quadro scenico per Arianna e Teseo, dramma per musica su libretto di Francesco Pariati, musica di Giuseppe Ponzo, rappresentato al Regio Ducal Teatro di Milano nel 1762-1763 c22 -B_0133 t.IX
Adolf HirĂ©my Hirschl (Temesvar 1860 – Roma 1933) Study of a drapery 1890 circa Charcoal and chalk on brownish paper, 532 x 340 mm Born in Hungary, but moved at an early age to Vienna, Adolf Hirschl studied at the Austrian Academy, where he was a pupil of the historical allegorical painter August Eisenmenger…
Fabrizio Galliari (Andorno Micca (Biella) 1709 – Treviglio 1790) Vestibule in front of the Temple of Jupiter • 1762 matita, penna e acquerello su carta, studio di quadro scenico per Arianna e Teseo, dramma per musica su libretto di Francesco Pariati, musica di Giuseppe Ponzo, rappresentato al Regio Ducal Teatro di Milano nel 1762-1763, c9…
Adolf HirĂ©my Hirschl (Temesvar 1860 – Rome 1933) Reclining draped female figure 1889 circa Charcoal and chalk on brownish paper, 344 x 531 mm Drawn down in the artist’s heyday – in 1891, he received Austria’s most coveted honor, the Kaiserpreis, at its second edition, the first assigned to Gustav Klimt – this preparatory…
Felice Giani (San Sebastiano Curone, Alessandria 1758 – Rome 1823) 1800-1810 circa Samson destroying the Philistine Temple Black ink pen, brownish ink watercolor on paper 520 x 405 mm Inscribed lower center: “Sansone”
Giuseppe Barberi (Rome 1746-1809) Triumph site with ruined arches 1780-1790 circa Traces of pencil, pen and gray and brown ink watercolor on white paper, framed on blue paper, 237 x 400 mm Entitled in pen, lower left: “Sito di trionfo con archi rovinati”; numbered top right: “20” Prolific draftsman, Barberi has been defined…
Giuseppe Barberi (Rome 1746-1809) Sepulchre of Ptolemy 1780-1790 circa Traces of pencil, pen and gray and brown ink watercolor on white paper, framed on blue paper, 280 x 403 mm Entitled in pen, lower left: “Sepolcro di Tolomeo”; numbered top right: “22”  Triumph site with ruined arches 1780-1790 circa Traces of pencil, pen…
Ernesto Lapadula (Pisticci 1902 – Rome 1968) Two project variants for a seaside villa in Monterosso alle Cinque Terre 1935 Pencil and colored pencil on paper, 295 x 392 mm Inscribed and signed lower right: Monterosso 23 sett 35 / lapadula Before graduating in 1931 under the guidance of Marcello Piacentini, Lapadula began his professional…
Carlo Scarpa (Venice 1906 – Sendai 1978) Chandeliers Sketches for M.V.M. Cappellin Manufacture, Murano 1926-28 circa graphite and watercolor on paper, 31.5 x 21.5 cm Carlo Scarpa’s collaboration with M.V.M. Cappellin began in 1926, even before he finished his studies and represents the first important episode in the Venetian architect’s career. In the glassmaker…
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